He’s universally credited as a pioneer of dance music and was famously crowned “The Godfather of House Music” for his role in creating modern dance music’s global DJ culture. But ask Frankie Knuckles about his tenure in Chicago at the groundbreaking nightclub The Warehouse in the 1980s or his friendship with legendary Paradise Garage DJ Larry Levan and Knuckles will likely reply by flashing a polite smile and changing the subject. Complimenting Knuckles for his 1997 Grammy Award for Remixer of the Year or his work with mainstream pop and R&B superstars such as the Diana Ross, The Pet Shop Boys and what will likely only get you a blush and a polite “thank you.” Don’t take it personal, though; Frankie Knuckles isn’t one to dwell on the past.
If he were less humble, he could regale you with tales of his days as an up-and-coming turntable talent. He could tell you about life growing up on the mean streets of 1970s Harlem. The thought of a career behind the turntables wasn’t even a part of the adolescent Knuckles’ consciousness. All of that changed, however, when Knuckles and his partner-in-crime Levan snuck into a party at the historic nightspot The Loft. There, the club’s resident DJ David Mancuso seduced Knuckles with his music and his destiny of a lifetime on the decks was cemented.
But it wasn’t until Knuckles journeyed to Chicago to helm the decks of a burgeoning nightclub called The Warehouse that his stardom rose to heights never before witnessed by a DJ. Packing the club week after week, thousands of revelers bowed down to Knuckles and his one-of-a-kind turntable wizardry. And following the closure of The Warehouse in 1983 Knuckles supercharged his career throughout the 1990s with a string of DJ residencies at some of the world’s most famous clubs. His triumphant return to the tables of New York City at the still-revered Sound Factory was later matched with equally lauded (and ongoing) mainstays at NYC Splash, Montreal’s Club Stereo and Pacha in Ibiza.
In 1987 Knuckles joined NYC based Def Mix Productions. With assistance from long time manager Judy Weinstein, Knuckles took his love for playing music and translated it into a career making music. With a gargantuan list of remixes and original productions to his credit with artists and celebrities such as Diana Ross, The Pet Shop Boys, Luther Vandross, Michael Jackson, Janet Jackson and Toni Braxton, and many others. Knuckles quickly became a go-to for mainstream artists seeking to infuse the undeniable drumbeat of house music into their sound. Knuckles’ high profile in the realm of dance music brought him to the attention of Virgin Records in the 1990s, where Knuckles delivered the pop crossover single “Whistle Song” and a pair of albums (Beyond the Mix and Welcome to the Real World).
His comprehensive work as a producer reached the height of its glory in 1997 when Knuckles became the first DJ to be crowned with the newly created Grammy Award for Remixer of the Year.
It was an honor echoed more recently when the Chicago Mayor Richard M. Daley officially declared August 26, 2004 “Frankie Knuckles Day” in the DJ’s adoptive hometown of Chicago. State Senator Barack Obama, was responsible for walking through the ordinance to a vote that changed the name of the street where the legendary Warehouse once stood to “Frankie Knuckles Way” Emerging from his studio in 2004 with A New Reality, his first album of completely original material in seven years, Knuckles proved that he hasn’t skipped a beat. The CD’s warmly complex songs resonated with dancers around the world, and gave Knuckles his latest Billboard Number One with “Back n da Day.” But that’s all in the past—a past Knuckles doesn’t have time to worry about today.
April 2006 Knuckles announces NOICE!music, his own music company that is affiliated with various download companies and will release limited full length CD’s, and 12” Vinyl. Starting with his new remix album DubJ’s D’Light (a remixed reality) FKN 002 due this year. Knuckles is beginning 2006, producing iconic house music vocalist Jamie Principle’s new album project and various singles from outside producers, Knuckles continues to prove that he’s more relevant to dance music’s present day than ever before.
Re-imagining the music from various past great works, Knuckles sought out the aid of some of the most talented remixers in the biz today such as Blaze, The Groove Junkies, Shapeshifters (aka Shape UK), Quentin Harris, Eric Kupper and others. Knuckles’ DubJ ’s D’Light (a remixed reality) is a disc created with Dub-style disc jocks in mind. “Actually, I coined the phrase ‘DubJ years ago to denote DJs who base the programming of their sets around playing dubs,” Knuckles says. “I thought creating an entire album with them in mind would be fun. The new singles will include an updated full production of “Whistle Song” revisited and Disco Shimmy coming to you via download in April at beatport.com and traxsource.com and iTunes.
While, Jamie Principle has endured for decades as one of house music’s most formidable vocalists, it took the keen ear and generous spirit of Knuckles to bring a Principle full length to life. “I’ve known Jamie since we did ‘Your Love’ together back in 1984,” Knuckles reflects. “That boy is nothing short of a genius. He’s a great writer and truly one of the pioneering legends of house music. I felt there needed to be a definitive Jamie Principle project, and the timing was right for me to produce it.”
And so the beat goes on—in the DJ booth, in the studio and in the legacy of dance that Knuckles continues to create. Frankie Knuckles is more than a DJ; he’s more than The Godfather of House; even terming him an icon of the underground doesn’t do justice to his landmark accomplishments and career longevity. Simply put: Frankie Knuckles is timeless. So forget what you think you know about Frankie Knuckles; do yourself the favor of spending a night on his dance floor today. “Leave the past at the door,” Knuckles smiles, “and I promise you won’t be disappointed.”