Caifanes

Caifanes originated in Mexico City in 1986, quickly establishing themselves with a unique sound blending British new wave and progressive rock with Latin percussion and poignant Spanish lyrics. The original lineup included Saúl Hernández (vocals, guitar), Sabo Romo (bass), Alfonso André (drums), and Diego Herrera (keyboards, saxophone). They gained initial recognition through their live performances at Mexico City venues like Rockotitlán. Despite initial resistance from major labels due to their gothic aesthetic and distinct sound, their talent was undeniable. A demo featuring “Será Por Eso” captured attention, leading to a pivotal opportunity to open for Argentinian rocker Miguel Mateos, which ultimately led to their signing with RCA-Ariola. Their first album, “Caifanes,” released in 1988, rapidly sold 300,000 copies, propelled by the success of singles like “Mátenme Porque Me Muero.” The maxi-single “La Negra Tomasa” in December 1988 became a massive hit, broadening their audience both nationally and internationally.

By 1989, Caifanes had emerged as a leading rock act in Mexico, playing two sold-out shows at the National Auditorium. The addition of Alejandro Marcovich on lead guitar for their second album, “El diablito” (1990), further refined their sound, incorporating mariachi and bolero influences into tracks like “La Célula Que Explota,” which became a signature hit. This period solidified their role in the Rock en Español movement alongside bands like Maná and Café Tacuba. Their third album, “El Silencio” (1992), produced by Adrian Belew of King Crimson, featured a more direct, guitar-driven sound with hits such as “No Dejes Que” and “Nubes,” gaining them international acclaim and allowing them to sell out the Hollywood Palladium in 1992. In 1993, they became the first Mexican rock group to sell out Palacio de los Deportes in Mexico City. Their fourth album, “El Nervio Del Volcán” (1994), characterized by a heavier, more progressive sound, produced hits such as “Afuera” and “Aquí No Es Así,” further expanding their reach. The band toured extensively, opening for the Rolling Stones in Mexico City and participating in Peter Gabriel’s WOMAD festival in 1994. Despite their success, internal tensions led to their breakup in 1995, with a reunion occurring in 2011 for the Vive Latino and Coachella festivals.