Preservation Hall Jazz Band, formed in the early 1960s, is a renowned New Orleans jazz ensemble dedicated to preserving and performing traditional New Orleans jazz, captivating audiences globally.
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Request A ShowPreservation Hall Jazz Band joined New Orleans royalty Dr. John, The Black Keys' Dan Auerbach, My Morning Jacket's Patrick Hallahan, and others for collaborations.
Collaboration with French Truck Coffee, kicking off with a brand-new “Preservation Hall Blend” coffee and a promotional video featuring jazz icons Ben Jaffe and others, with proceeds supporting the Preservation Hall Foundation.
Preservation Hall Jazz Band forged a creative partnership with bluegrass legend Del McCoury, uniting New Orleans jazz and bluegrass music, including the album 'American Legacies'.
The Preservation Hall Jazz Band made a guest appearance on the Foo Fighters' eighth studio album "Sonic Highways".
The Trey McIntyre Project dance ensemble collaborated with the Preservation Hall Jazz Band to create "Ma Maison" and "The Sweeter End," two contemporary dance works set to their music. The two ensembles toured numerous dates nationally, including performances at the Hollywood Bowl and the Lincoln Center.
Released albums like "A Tuba to Cuba" (2019) and "For Fat Man" (2025) through Sub Pop.
Swedish pianist who was a member of the band during its later years.
English trumpeter who was a member of the band during its later years.
Was a member of the band during its later years.
Was a member of the band during its later years.
Many of the touring members of the Preservation Hall Jazz Band were hired by Harold Dejan for his Olympia Brass Band during the late 1960s and early 1970s. This band influenced the Preservation Hall Jazz Band and its musicians.
In 1977, Allan Jaffe and Arthur Hall released "Fat Tuesday and All That Jazz! A Mardi Gras Dance Musical." The world premiere was on February 19, 1977, followed by a U.S. tour. Dejan's Olympia Brass Band was featured alongside the Arthur Hall Afro-American Dance Ensemble.
Released albums such as "Preservation Hall Jazz Band Live!" (1992), "In the Sweet Bye & Bye" (1996), "Because of You" (1998), "That's It!" (2013), "Run Stop & Drop!!" (2017), and "So It Is" (2017). Also released "Preservation Hall Jazz Band 50th Anniversary Collection" (2011-2012).
Released the album "St. Peter & 57th St." (2012), a recording of the 50th Anniversary concert at Carnegie Hall.
Released "Jazzfest Live 2012" (2012).
Collaborated on their Grammy Award-winning album "Down in New Orleans."
Contributed to the band's benefit album in 2010.
Contributed to the band's benefit album in 2010 and performed with them at the New Orleans Jazz & Heritage Festival during their 50th anniversary.
Contributed to the band's benefit album in 2010.
Contributed to the band's benefit album in 2010.
The Hall band supported My Morning Jacket on tour.
Performed with the band at their 50th Anniversary Concert at Carnegie Hall and at the New Orleans Jazz & Heritage Festival.
Performed with the band at their 50th Anniversary Concert at Carnegie Hall.
Performed with the band at their 50th Anniversary Concert at Carnegie Hall.
Performed with the band at their 50th Anniversary Concert at Carnegie Hall and at the New Orleans Jazz & Heritage Festival.
Performed with the band at the New Orleans Jazz & Heritage Festival during their 50th anniversary.
Performed with the band at the New Orleans Jazz & Heritage Festival during their 50th anniversary.
Collaborated on the music video "That's It!" which won an OffBeat's Best of the Beat Award for Best Music Video.
Their rendition of "Lift Every Voice and Sing" was recorded in New Orleans along with members of the Preservation Hall Collective for the critically-acclaimed documentary "MLK/FBI."
The Preservation Hall Jazz Band originated in the early 1960s in New Orleans, Louisiana, founded by tuba player Allan Jaffe. The band draws its name from Preservation Hall in the French Quarter, an art gallery managed by Larry Borenstein that hosted local jazz musicians. Jaffe and his wife Sandra took over management of the Hall, hiring elderly local musicians who were often struggling with poverty and illness. Initially, the Hall maintained a simple approach with no alcohol, amplification, or advertising. In 1963, Allan Jaffe began organizing tours for these musicians across the U.S. and internationally, featuring notable figures such as pianist Sweet Emma Barrett and trumpeter Kid Thomas Valentine. This initiative brought traditional New Orleans jazz to a global audience, attracting fans who traveled to New Orleans specifically for the music.
Following Allan Jaffe’s passing in 1987, his son Ben Jaffe, after graduating from Oberlin College, assumed the role of artistic director in 1993. Ben Jaffe continued to tour with the band, playing double bass and tuba, and expanded on his father’s educational initiatives. By 1999, the band’s lineup evolved to include younger African-American players and international white musicians, reflecting a new generation of talent while maintaining the traditional jazz style. The band continued its extensive touring schedule, nationally and internationally, and in 2006, the Preservation Hall Jazz Band received the National Medal of Arts, the highest artistic honor in the United States, in recognition of their contributions to American culture and their role in sharing the spirit of New Orleans jazz worldwide.
The band has also engaged in significant collaborations and milestone projects. In 2011, they partnered with Dr. John and The Black Keys’ Dan Auerbach, among others, demonstrating their versatility. Their 50th-anniversary celebration in 2011-2012 included a concert at Carnegie Hall with artists like Allen Toussaint and Jim James, an exhibition at the Ogden Museum of Southern Art, and appearances at the New Orleans Jazz & Heritage Festival. The band made a guest appearance on the Foo Fighters’ album “Sonic Highways” in 2014 and collaborated with the Trey McIntyre Project dance ensemble for contemporary dance works. A documentary, “A Tuba to Cuba,” was released in 2018, further showcasing their musical journey and cultural impact.
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