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Corrosion Of Conformity, known as C.O.C., has evolved from a hardcore punk band into a prominent heavy metal act, recognized for their blend of heavy riffs and Southern rock melody.
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Request A ShowCorrosion of Conformity has partnered with Nuclear Blast, a German independent record label that specializes in heavy metal music. They released their album 'No Cross No Crown' through this label.
Corrosion of Conformity collaborated with Volatile to introduce COC skateboards. These are described as high-quality boards inspired by the band's raw energy.
Revolver and Inked magazines partnered with Corrosion of Conformity to feature stories on tattooers and shops, which included a video showing the band joining a fan for a band tattoo.
Corrosion of Conformity signed with Columbia Records, who acquired their contract from Relativity Records. This led to the release of albums like 'Deliverance' and 'Wiseblood'.
Corrosion of Conformity released their album 'Animosity' through the Metal Blade Records imprint Death Records. They also released the 'Technocracy' EP under Metal Blade.
After leaving Columbia, Corrosion of Conformity signed with Sanctuary Records, releasing albums such as 'America's Volume Dealer' and 'In the Arms of God'.
Corrosion of Conformity released their self-titled album and 'IX' through Candlelight Records.
The band members Reed Mullin and Mike Dean, along with Jason Browning, released a self-titled EP for their side project 'Righteous Fool' through Southern Lord Records.
Corrosion of Conformity released their 'Megalodon' EP for digital download via Scion A/V.
Corrosion of Conformity, affectionately known as C.O.C. by its fanbase, formed in Raleigh, North Carolina, in 1982. The band initially developed as a hardcore punk outfit. Over the years, they progressively incorporated elements of traditional metal, eventually settling into a sound often described as doom, sludge, or stoner rock, characterized by a unique fusion of heavy riffs with a distinct Southern rock melodic sensibility. Founding members included bassist and vocalist Mike Dean, guitarist Woody Weatherman, drummer Reed Mullin, and singer Benji Shelton. The band’s early career saw the release of hardcore albums such as “Eye For An Eye,” “Animosity,” and “Technocracy,” which laid the groundwork for their evolving musical direction. The album “Blind” marked a transition towards a more metal-influenced sound.
The period often referred to as the “classic lineup” era, featuring Woody Weatherman, Mike Dean, Reed Mullin, and Pepper Keenan (who joined in 1989), produced several noteworthy metal albums. These include “Deliverance,” “Wiseblood,” “America’s Volume Dealer,” “In the Arms of God,” a self-titled LP, “IX,” and the 2018 release “No Cross No Crown.” This lineup achieved significant milestones, particularly with “Deliverance” in 1994, which peaked at number 155 on the Billboard 200 and featured popular singles like “Albatross” and “Clean My Wounds.” “Wiseblood” (1996) also performed well, reaching number 104 on the Billboard 200 and earning a Grammy Awards nomination in 1998 for “Best Metal Performance” for the song “Drowning in a Daydream.” The band has consistently toured, supporting major acts such as Metallica and Motörhead, further solidifying their presence in the heavy metal scene.
Throughout its history, Corrosion of Conformity has experienced several lineup changes and periods of hiatus, notably from 2006 to 2010. However, the core members have frequently reconvened, demonstrating the band’s enduring commitment to its musical roots and evolution. The group continues to record and tour, with their latest album “No Cross No Crown” reaching number 67 on the Billboard 200, marking their highest chart position to date. Recent years have seen further lineup adjustments, including the passing of founding drummer Reed Mullin in 2020 and Mike Dean’s departure in 2024, yet Corrosion of Conformity remains active, with a new double album announced for release in early 2026, featuring Stanton Moore on drums and Bobby Landgraf on bass, showcasing their continued musical output.
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