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Mudhoney

Mudhoney, formed in Seattle in 1988, is recognized for its foundational influence on the grunge genre and its enduring presence in alternative rock.

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Past Works

Motorhoney

Motorhoney was a short-term side project that released two singles and one track on a Danmed tribute album (Another Damned Seattle Compilation, which featured " ...

BRAND PARTNERSHIPS
1988

Formed in Seattle

MILESTONE
1988

Released debut single "Touch Me I'm Sick"

MILESTONE
1988

Released *Superfuzz Bigmuff* EP

MILESTONE
1989

Released debut album *Mudhoney*

MILESTONE
1989

Performed at Lamefest alongside Nirvana and Tad

MILESTONE
1991

Released *Every Good Boy Deserves Fudge*

MILESTONE
1992

Signed with Reprise Records

MILESTONE
1992

Released *Piece of Cake*

MILESTONE
1996

Appeared in the film *Black Sheep*

MILESTONE
1998

Released *Tomorrow Hit Today*

MILESTONE
2001

Guy Maddison joined as permanent bassist

MILESTONE
2002

Released *Since We've Become Translucent*

MILESTONE
2006

Released *Under a Billion Suns*

MILESTONE
2008

Released *The Lucky Ones*

MILESTONE
2013

Released *Vanishing Point*

MILESTONE
2018

Released *Digital Garbage*

MILESTONE
2021

30-year anniversary deluxe edition of *Every Good Boy Deserves Fudge*

MILESTONE
2023

Released *Plastic Eternity*

MILESTONE

About

Mudhoney originated in Seattle, Washington, on January 1, 1988, following the dissolution of Green River. The band’s initial lineup included singer Mark Arm, lead guitarist Steve Turner, bassist Matt Lukin, and drummer Dan Peters. Arm and Turner’s collaboration began earlier, notably within Mr. Epp and the Calculations, which formed in 1978, and continued with Green River from 1984. Mudhoney’s early recordings on the Sub Pop label, particularly the 1988 debut single “Touch Me I’m Sick” and the *Superfuzz Bigmuff* EP, were pivotal in establishing the sound that would define the grunge movement, characterized by high-distortion and a raw aesthetic. Their sound has been described as a blend of metal muscle, punk attitude, and garage rock primitivism, influencing numerous alternative rock and grunge musicians. The band named themselves after a Russ Meyer film.

Mudhoney’s career saw them release their first full-length album, *Mudhoney*, in 1989. This period included notable performances, such as playing the Sub Pop-organized Lamefest in Seattle in 1989 alongside Nirvana and Tad. In 1991, they released *Every Good Boy Deserves Fudge* and subsequently signed with Reprise Records in 1992, releasing *Piece of Cake* the same year. Their album *My Brother the Cow* (1995) blended early and recent sounds, a period during which they also appeared in the film *Black Sheep* (1996). After releasing *Tomorrow Hit Today* in 1998, Matt Lukin departed the band, and Mudhoney returned to Sub Pop, with Guy Maddison joining as the permanent bassist in 2001. Their subsequent albums include *Since We’ve Become Translucent* (2002), *Under a Billion Suns* (2006), *The Lucky Ones* (2008), *Vanishing Point* (2013), *Digital Garbage* (2018), and *Plastic Eternity* (2023).

Despite limited commercial success compared to some contemporaries, Mudhoney maintained an influential status within the underground rock scene. Their music has been consistently praised for its impact on the Seattle sound. Mark Arm and Steve Turner’s history together, stretching from high school joke bands to Green River and ultimately Mudhoney, highlights a continuous artistic development. The band’s commitment to their distinctive sound has earned them recognition, with *Superfuzz Bigmuff* being cited by Kurt Cobain as a favorite album. Their work continues to be celebrated, as evidenced by the 2021 30-year anniversary deluxe edition of *Every Good Boy Deserves Fudge*, reaffirming their legacy in rock music.

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