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Germaine Greer

Germaine Greer is an Australian writer and public intellectual who, since the 1970s, has been a significant voice in second-wave feminism. Through her extensive writings and academic work, she consistently challenges societal norms related to women's rights and liberation.

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Past Works

New Yorker

Greer's book “The Whole Woman,” a sequel, she said, to “The Female Eunuch,” her splashy and clever contribution to second-wave feminism.

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Research Starters (Ebsco)

Germaine Greer is a prominent Australian feminist, writer, and academic known for her influential contributions to feminist discourse and literature.

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Unherd

According to her critics, she's old, outdated, unrepresentative, a betrayal of the movement she helped to inaugurate — in short, flawed. And ...

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The Guardian

On Rape, the new book from feminist icon and firebrand Germaine Greer, has sparked furious debate.

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New Statesman

Germaine Greer: the failures of the new feminism.

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Isis International

Germaine Greer, one of the better known Western personalities of this generation, made a big splash with the publication of her book The Female Eunuch almost ...

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Wikipedia

Germaine Greer is an Australian writer and public intellectual, regarded as one of the major voices of the second-wave feminism movement in the latter half ...

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Cabinet Magazine

The Meaningful Disappearance of Germaine Greer. The contributions and contradictions of a feminist icon Carmen Winant.

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TIME Magazine

Born in 1939, Greer's journey from Melbourne's bay-side suburbs to international smash-hit media feminist via Melbourne, Sydney and Cambridge ...

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Independent.ie

Comedian Jo Brand has defended controversial writer Germaine Greer, describing her as “virtually the mother of modern feminism”.

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Penguin Books

THIRTY YEARS AFTER THE FEMALE EUNUCH, GERMAINE GREER RETURNS TO THE SUBJECT OF FEMINISM, WITH THE BOOK SHE VOWED SHE WOULD NEVER WRITE. Germaine Greer proclaims that the time has come to get angry again! Modern feminism has become the victim of unenlightened complacency, and what started out in the Sixties as a movement for liberation has become one that has sought and settled for equality.

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1967

Received a doctorate in literature from the University of Cambridge

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1970

Published "The Female Eunuch," becoming an international bestseller

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1971

Debated Norman Mailer on women's liberation at New York City's Town Hall

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1979

Published "The Obstacle Race: The Fortunes of Women Painters and Their Work"

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1979

Appointed director of the Center of the Study of Women's Literature at the University of Tulsa

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1982

Founded "Tulsa Studies in Women's Literature," an academic journal

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1984

Published "Sex and Destiny: The Politics of Human Fertility"

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1991

Published "The Change: Women, Ageing and the Menopause"

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1995

Published "Slip-shod Sibyls: Recognition, Rejection, and the Woman Poet"

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1999

Published "The Whole Woman," a sequel to "The Female Eunuch"

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2003

Published "The Boy"

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2003

Authored the essay "Whitefella Jump Up," advocating for Australia as an Aboriginal republic

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2007

Published the revisionist biography "Shakespeare's Wife"

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2013

Published the memoir "White Beech: The Rainforest Years"

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About

Born on January 29, 1939, in Melbourne, Victoria, Australia, Germaine Greer pursued her education at the Universities of Melbourne and Sydney before earning a doctorate in literature from the University of Cambridge in 1967. Her early career involved television appearances, journalism, and lecturing at the University of Warwick. In 1970, Greer published her seminal work, “The Female Eunuch,” which rapidly became an international bestseller and a pivotal text in the feminist movement. This book critically analyzed how male-dominated societies and expectations shaped women’s sexuality and sense of self, arguing that passivity in women’s sexuality is a role imposed by history. The publication of “The Female Eunuch” propelled Greer into the public spotlight, leading to notable appearances such as her 1971 debate with Norman Mailer in New York City, documented in the 1979 film “Town Bloody Hall.”

Throughout her career, Greer continued to produce influential works that explored diverse aspects of women’s experiences and societal structures. Her subsequent books include “The Obstacle Race: The Fortunes of Women Painters and Their Work” (1979), which delves into the unacknowledged careers of female artists, and “Sex and Destiny: The Politics of Human Fertility” (1984), a critique of Western attitudes towards sexuality and fertility. She also addressed women’s aging and menopause in “The Change: Women, Ageing and the Menopause” (1991) and examined the recognition and rejection of women poets in “Slip-shod Sibyls” (1995). Greer’s enduring impact on feminist thought is further demonstrated by “The Whole Woman” (1999), where she revisited themes from “The Female Eunuch,” criticizing modern feminism for settling for equality rather than pursuing true liberation. Her work consistently challenges established ideas, earning her both acclaim and controversy.

In addition to her critical work on feminism and societal roles, Greer has engaged with other significant topics. In “Whitefella Jump Up” (2003), she advocated for Australia to embrace its Aboriginal heritage, re-imagining the country as an Aboriginal nation. Her memoir, “White Beech: The Rainforest Years” (2013), recounts her efforts to restore a rainforest plot in Australia, reflecting her commitment to environmental conservation. Greer’s varied contributions to literature, academia, and public discourse have cemented her status as a significant and outspoken voice, earning her numerous accolades including honorary doctorates from several universities and recognition as an Australian National Living Treasure in 1997. She continues to contribute to public debate, particularly on topics related to women’s rights and societal change.

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Expertise

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