Hannah Pilkes

Hannah Pilkes was born on April 13, 1992, in Philadelphia, Pennsylvania, USA. She began her acting career at a young age, preparing for her role in “The Woodsman” (2004) with extensive research alongside her mother and a psychiatrist to accurately portray emotional trauma. This foundational experience highlighted her commitment to detailed character development early in her career. Following her debut, Pilkes continued to develop her skills, eventually moving into the comedy scene. Her career demonstrates progression from dramatic roles to a blend of acting and comedic performances across various media.

Pilkes has made significant contributions to both acting and comedy. Her filmography includes roles in “The Woodsman” (2004), “A Square Is A Rectangle” (2021), and the upcoming project “Aunt Roxie.” Her television work includes appearances in “Sorry Not Sorry” (2017) and “Leanne” (2025), where she has taken on varied roles. Beyond traditional acting, Pilkes has established herself as a comedian, writer, and social media influencer. She has been a frequent guest on podcasts such as “Comedy Bang! Bang!” (Earwolf) and “Scam Goddess,” showcasing her comedic talent through a range of characters including Susan Christmas, Brett, Chutney C. Rabbits, Chase Sapphire, Simone, and Pamela. She also contributes as a producer on projects like “Move on, Arnold!” (2024) and “A Square Is A Rectangle” (2021), demonstrating her involvement behind the camera.

Her career path showcases a deliberate expansion into different creative capacities, from acting in feature films and TV series to producing and performing in various podcasts. This includes upcoming roles in “Worst First Date” (2024), “Ghost Hot Tub” (post-production), “The Novelizers” (2025), “Almost Friday TV” (2025), “For Worse” (2025), “31 Candles” (2025), “Ashes Ashes We All Fall Down” (2024), “Kiwi” (2024), “The Best Man’s Ghostwriter” (2024), “Move on, Arnold!” (2024), and “We Have Notes” (2024). Her work on “The Neighborhood Listen” (2023) and “Earth Girl” (2023) further exemplify her diverse engagements. Her consistent activity in projects that span different genres and platforms highlights her adaptability and sustained presence in the entertainment industry.